01/01/2018 NO PE -- H A P P Y H O L I D A Y S !
Tuesday, December 19, 2017
No Poetry Express 12/25 and 01/01 Holidays
12/25/2017 NO PE H A P P Y H O L I D A Y S !
01/01/2018 NO PE -- H A P P Y H O L I D A Y S !
01/01/2018 NO PE -- H A P P Y H O L I D A Y S !
Tuesday, December 12, 2017
Michael Caylo-Baradi Features Dec 18
12/18/2017 Michael Caylo-Baradi hosted by Bruce
(Need a prompt? "Outer" -- as in any use or thought of it -- you don't have to use those words.)
Michael Caylo-Baradi's work has appeared or is forthcoming in The Galway Review, Blue Fifth Review, Blue Print Review, The Common (online), Eclectica, elimae, Eunoia Review, FORTH, Galatea Resurrects, Ink Sweat & Tears, Local Nomad, MiPOesias, Otoliths, Our Own Voice, poeticdiversity, Philippines Free Press, Poetry Pacific, Prick of the Spindle, and elsewhere. An alumnus of The Writers’ Institute at The Graduate Center (CUNY), he has also written reviews and essays for New Pages, PopMatters, and The Latin American Review of Books.
http://mcaylo.blogspot.com/p/p oetry.html
How to purify the air
Re-align the universe in the direction of your gaze. This is
breathing unhinged from dysfunction, clawed with need,
panting for Narcissus.
A bedroom is an occlusion that sharpens visions drooling for its
prey crucified in surrender. The howling beyond the yard
intensifies the season,
feasting on rituals that clarifies the philosophy of fangs. Wings
fluttering by the window are prayers, searching for
maps away from the city,
now submerged in bodies of lights illuminating an aftermath,
of hands intertwined, gasping for morsels of God,
to resuscitate the air.
Poem URL at OTOLITHS 43:
(Need a prompt? "Outer" -- as in any use or thought of it -- you don't have to use those words.)
Michael Caylo-Baradi's work has appeared or is forthcoming in The Galway Review, Blue Fifth Review, Blue Print Review, The Common (online), Eclectica, elimae, Eunoia Review, FORTH, Galatea Resurrects, Ink Sweat & Tears, Local Nomad, MiPOesias, Otoliths, Our Own Voice, poeticdiversity, Philippines Free Press, Poetry Pacific, Prick of the Spindle, and elsewhere. An alumnus of The Writers’ Institute at The Graduate Center (CUNY), he has also written reviews and essays for New Pages, PopMatters, and The Latin American Review of Books.
http://mcaylo.blogspot.com/p/p
Re-align the universe in the direction of your gaze. This is
breathing unhinged from dysfunction, clawed with need,
panting for Narcissus.
A bedroom is an occlusion that sharpens visions drooling for its
prey crucified in surrender. The howling beyond the yard
intensifies the season,
feasting on rituals that clarifies the philosophy of fangs. Wings
fluttering by the window are prayers, searching for
maps away from the city,
now submerged in bodies of lights illuminating an aftermath,
of hands intertwined, gasping for morsels of God,
to resuscitate the air.
Poem URL at OTOLITHS 43:
Tuesday, December 5, 2017
Mary Mackey Features Dec 11
12/11/2017 Mary Mackey hosted by Jim
(Need a prompt? "Fame" or for that matter, "defame"-- as in any use or thought of it -- you don't have to use those words.)
(Need a prompt? "Fame" or for that matter, "defame"-- as in any use or thought of it -- you don't have to use those words.)
Mary Mackey is a bestselling author who has written fourteen novels some of which have appeared on the New York Times and San Francisco Chronicle Bestseller Lists. She is also the author of seven volumes of poetry including Sugar Zone winner of the 2012 PEN Oakland Josephine Miles Award for Literary Excellence. Mackey’s novels have been translated into twelve languages including Japanese, Russian, Hebrew, Greek, and Finnish. Her poems have been praised by Wendell Berry, Jane Hirshfield, Marge Piercy, and Dennis Nurkse for their beauty, precision, originality, and extraordinary range. Garrison Keillor has featured her poetry four times on The Writer’s Almanac. Also a screenwriter, she has sold feature-length scripts to Warner Brothers as well as to independent film companies. Mackey sometimes writes comedy under her pen name “Kate Clemens.” She has a B.A. from Harvard College and a Ph.D. in Comparative Literature from The University of Michigan and is related through her father’s family to Mark Twain. At present, she lives in northern California with her husband Angus Wright. ” Lowenstein Associates recently published her novel The Village of Bones, a prequel to her bestselling Earthsong Series.
Kin
We were related to everybody in Crittenden County
We were related to everybody in Crittenden County
literally everybody
judges and lawyers and county clerks
and barbers and druggists and soda jerks
and moonshiners and farmers and ferry boat captains
and the rich people in the big white houses
and the poor people down by the slough
Total strangers would come up
Total strangers would come up
as soon as they saw you on the street
throw their arms around you and say
my great grandma is buried next to your great grandma
or I'm your cousin 17 times removed on your third uncle’s side
or
my my my you look just like your daddy
has he ever got out of prison?
Mary Mackey
from The Jaguars That Prowl Our Dreams (coming in 2018 from Marsh Hawk Press)
Tuesday, November 28, 2017
Clark Kent (an alias, of course) Features Dec 4
12/4/2017 Clark Kent hosted by Jan 12/11/2017
(Need a prompt?Is Superman a Golem? A golem is an animated anthropomorphic being that is magically created entirely from inanimate matter (specifically clay or mud). -- you don't have to use those words.)
(Need a prompt?Is Superman a Golem? A golem is an animated anthropomorphic being that is magically created entirely from inanimate matter (specifically clay or mud). -- you don't have to use those words.)
Clark Kent claims to have been forever maligned by the myth of Superman when in fact he has just been another bat in the belfry of life, seeking justice and peace in this troubled world. The comics who rule have long gotten Clark wrong, presuming Kryptonite to be his Achilles heel when in fact that radiant mineral is found within every person he meets. That singular force travels the short divide from them to him, dispelling the dark forces of narcissism, rendering Clark human, vulnerable, and capable of poetic expression.
Longing For Kryptonite
Zarathustra hides in a polar ice castle,
flies to the moon, leers at women with his X-ray eyes.
He is stuck in a rut waiting for earthquakes, sinking ships,
meteors on course to destroy the woman he avoids.
Each wood-pulped, flattened day he is summoned,
pulls phone booths out of thin air,
strips to pectoral splendor.
His speedo modestly bulges
as he rescues Lois Lane yet again,
again, again, again.
Old pages yellow and crack
until he longs to be a real Clark Kent,
Kryptonated, unbound,
a nakedly human man.
Tuesday, November 21, 2017
Elizabeth Alford Features Nov 27
11/27/2017 Elizabeth Alford hosted by J. D.
(Need a prompt? "The light in the basement" -- as in any use or thought of it -- you don't have to use those words.)
A longtime fan of short poetry, Elizabeth Alford (Hayward, CA) usually writes on her laptop, but in its absence will settle for her cell phone. Her work has recently appeared in print in POETALK, and various online venues such as brass bell: a haiku journal, haikuniverse, and the cherita: your storybook journal. Please visit her author page @ Facebook.com/ ElizabethAlfordPoetry
(Need a prompt? "The light in the basement" -- as in any use or thought of it -- you don't have to use those words.)
A longtime fan of short poetry, Elizabeth Alford (Hayward, CA) usually writes on her laptop, but in its absence will settle for her cell phone. Her work has recently appeared in print in POETALK, and various online venues such as brass bell: a haiku journal, haikuniverse, and the cherita: your storybook journal. Please visit her author page @ Facebook.com/
Heaven is My Mother’s Apple Pie
by Elizabeth Alford
Once a year
(and only under the best
possible circumstances)
my mother makes
her apple pie, and that first
bite—oh! how buttery
and crumbly the crust, how
spicy the forbidden fruit
filling still warm from the oven
and swirls of cinnamon,
sweet and tang waltzing to flavor
on the ballroom floor
of my tongue—is almost enough
to make me sing praise
to a god I don’t believe in,
even though I know
deep in my heart
and in my stomach
that if there is an afterlife,
it is after Thanksgiving dinner
and that my mother
is a god of gods
who can bake the whole
of the universe
into a pie.Tuesday, November 14, 2017
Phyllis Meshulam 11/20
11/20/2017 Phyllis Meshulam, hosted by Bruce
(Need a prompt? "Capture" -- as in any use or thought of it -- you don't have to use those words.)
(Need a prompt? "Capture" -- as in any use or thought of it -- you don't have to use those words.)
Phyllis Meshulam first went to Italy, where her father had been stationed during World War II, at not quite five. Threads of those journeys are woven into her newly-released book of poems, Land of My Father’s War, from Cherry Grove Collections. Joy Harjo, winner of the 2017 Ruth Lilly Poetry Prize, said of Meshulam’s book, an “urgency of spirit has emerged eloquently here in these poems of perception and even prophecy….” Meshulam is also the author of Doll, Moon (Finishing Line Press), Doors (War and Peace Press) and Valley of Moon (d-Press). She is a veteran teacher for California Poets in the Schools and coordinator for Poetry Out Loud, and has been a presenter at the nation-wide writing conferences, AWP and Split this Rock. Her work has appeared in magazines from Earth’s Daughters and Phoebe to Teachers & Writers and Tikkun. Meshulam has an MFA from Vermont College of Fine Arts. For CPitS’s 50th anniversary, she edited, Poetry Crossing, which Poetry Flash called “a truly joyful collection of lessons, inspirations, and children's poems.”
The breathing space within the gallery
is sliced by fifty-eight thousand fine strands,
(not the usual chains). Each current
makes pendant metal tags glint,
ringing each other like a wind harp,
or sun-scattered rain on the roof
of a Quonset hut. What’s
in a dog tag? Name, blood type. A small mirror.
Each is labeled. B positive,
or be excluded or dead. O for negative,
or zero. O for other. Each belief
system reduced to one of a few
graced faiths. P for protestor. C,
for catharsis. J for jungle. An identity –
forgotten tiger, lamb, or forest fire.
Tuesday, November 7, 2017
11/13/2017 Yuyutsu Sharma features
11/13/2017 Yuyutsu Sharma hosted by Jim
(Need a prompt? How do you explain your position on the planet? -- you don't have to use those words.)
(Need a prompt? How do you explain your position on the planet? -- you don't have to use those words.)
Yuyutsu R D Sharma has published nine poetry collections including, A Blizzard in my Bones: New York Poems (Nirala, 2016). He has translated Irish poet Cathal O’ Searcaigh and Hebrew poet Ronny Someck into Nepali. Eternal Snow: A Worldwide Anthology of One Hundred Twenty-Five Poetic Intersections with Himalayan Poet Yuyutsu RD Sharma is his most recent publication. Yuyutsu’s work has been translated into German, French, Italian, Slovenian, Hebrew, Spanish and Dutch. Yuyutsu is the Visiting Poet at Columbia University, New York and has just returned from China where he had gone to read at Beijing International Book Fair.
Mules by Yuyutsu Sharma
On the great Tibetan
salt route they meet me again
old forsaken friends ...
On their faces
fatigue of a drunken sleep
their lives worn out,
their legs twisted, shaking
from carrying
illustrious flags of bleeding ascents.
Age long bells clinging
to them like festering wounds
beating notes
of a slavery modernism brings:
cartons of Iceberg, mineral water bottles,
solar heaters, Chinese tiles, tin cans, carom boards
sacks of rice
and iodized salt from the plains of Nepal Terai.
Butterflies of
the terraced fields know their names.
Singing brooks tempests
of their breathless climbs.
Traffic alert
and time-tested, they climb
carrying
dreams of posh peacocks
pamphlets
of a secret religious war
filth
of an ecologist's sterile semen
entire kitchen
for a cocktail party at the base camp
defunct development
agenda of guilty donors
the West's weird visions
lusting for an instant purge.
Stone steps
of the mountains embossed
on their drugged brains,
like lines of aborted love
scratched
on the historic rocks of waterspouts.
Starry skies
of the dozing valleys know
the ache
of their secret sweat.
Sunny days
along the crystal rivers
taste
of their bleeding eyes.
Greatest fiction
of the struggling lives lost,
like real mules
clattering their hooves on the flagstones,
in circling
the cruel grandeur
of blood thirsty
mule paths around the glaciers of Annapurnas.
Tuesday, October 31, 2017
Charlie McCauley features Nov 6
11/6/2017 Charlie McCauley hosted by Jan
(Need a prompt? "Heavy upon" -- as in any use or thought of it -- you don't have to use those words.)
(Need a prompt? "Heavy upon" -- as in any use or thought of it -- you don't have to use those words.)
C O McCauley is a retired naval aviator, has fronted a rockabilly band and performed in community theater. His songs and poetry about growing up southern, the Viet Nam War, and Native American culture have appeared in The Tule Review, California Quarterly, The Aurorean, Blue Unicorn, and Soundzine. He resides in Martinez, California.
Yuyursu Sharma 11/13
11/13/2017 Yuyutsu Sharma hosted by Jim
(Need a prompt? How do you explain your position on the planet? -- you don't have to use those words.)
(Need a prompt? How do you explain your position on the planet? -- you don't have to use those words.)
Yuyutsu R D Sharma has published nine poetry collections including, A Blizzard in my Bones: New York Poems (Nirala, 2016). He has translated Irish poet Cathal O’ Searcaigh and Hebrew poet Ronny Someck into Nepali. Eternal Snow: A Worldwide Anthology of One Hundred Twenty-Five Poetic Intersections with Himalayan Poet Yuyutsu RD Sharma is his most recent publication. Yuyutsu’s work has been translated into German, French, Italian, Slovenian, Hebrew, Spanish and Dutch. Yuyutsu is the Visiting Poet at Columbia University, New York and has just returned from China where he had gone to read at Beijing International Book Fair.
Mules by Yuyutsu Sharma
On the great Tibetan
salt route they meet me again
old forsaken friends ...
On their faces
fatigue of a drunken sleep
their lives worn out,
their legs twisted, shaking
from carrying
illustrious flags of bleeding ascents.
Age long bells clinging
to them like festering wounds
beating notes
of a slavery modernism brings:
cartons of Iceberg, mineral water bottles,
solar heaters, Chinese tiles, tin cans, carom boards
sacks of rice
and iodized salt from the plains of Nepal Terai.
Butterflies of
the terraced fields know their names.
Singing brooks tempests
of their breathless climbs.
Traffic alert
and time-tested, they climb
carrying
dreams of posh peacocks
pamphlets
of a secret religious war
filth
of an ecologist's sterile semen
entire kitchen
for a cocktail party at the base camp
defunct development
agenda of guilty donors
the West's weird visions
lusting for an instant purge.
Stone steps
of the mountains embossed
on their drugged brains,
like lines of aborted love
scratched
on the historic rocks of waterspouts.
Starry skies
of the dozing valleys know
the ache
of their secret sweat.
Sunny days
along the crystal rivers
taste
of their bleeding eyes.
Greatest fiction
of the struggling lives lost,
like real mules
clattering their hooves on the flagstones,
in circling
the cruel grandeur
of blood thirsty
mule paths around the glaciers of Annapurnas.
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